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10 August 2003
Hungry ghosts
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Paper clothes for
ghosts
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EXPECT fewer cars on
the road Tuesday night as ethnic Chinese stay home, to be safe. Tuesday
is the 15th day of the seventh lunar month, the feast of the hungry
ghosts.
Tuesday, and particularly Tuesday night, is supposed to be the most
dangerous day of the year, when the spirit world allows hungry ghosts to
roam the world with impunity. This is why ethnic Chinese all over the
world will offer incense, food, wine and "spirit money" to try
to placate these ghosts. If satiated, they'll return peacefully to
barracks, oops, I meant back into the spirit world. If they remain
hungry, then they wreak havoc, causing accidents and disasters.
Even younger ethnic Chinese, myself included (smile), are aware of these
hungry ghosts, which is actually associated with the entire seventh
lunar month. The month, which this year extends from July 29 to Aug. 27,
is considered inauspicious, with the first half (ending Tuesday) being
the most dangerous.
Marriages are discouraged because it means a bad start to marital life.
Travel is discouraged (I remember for the longest time ever, my parents
would get quite anxious if I had to go on a trip during this seventh
lunar month, because accidents are said to occur more frequently,
presumably as hungry ghosts look for victims). On the 15th day itself,
many Chinese will avoid going out at night unless absolutely necessary.
Business people are especially wary, reluctant to start any kind of new
venture during the month. One can imagine how economic activities in
Asia stall this month, from stock market trading to new investments, all
because of a Chinese fear of the ghosts! (Typically Chinese though, some
young Singaporeans have taken advantage of this ghost-mania by producing
documentaries about Chinese death rituals and the hungry ghosts, all
being featured this month on Discovery channel.)
As an anthropologist, I look at all this as reflecting the way the
Chinese emphasize ties with ancestors. Over the centuries, they've built
an entire complex of practices around the dead, of which this
hungry-ghosts festival is only a part. Many of these practices are found
among Filipinos as well, the result of cultural exchanges through the
last few centuries.
We see long wakes and elaborate funerals, often meant more for public
consumption. These wakes and funerals are almost festive, noisy and
boisterous with religious ceremonies (for insurance, Christian,
Buddhist, Taoist), music bands and professional mourners wailing away
and extolling the virtues of the dead. (Quite often, too, hitherto
unknown families of deceased males show up -- wives and children --
exposing the vices of the dead and adding to the melodrama.)
The funeral itself can take the entire day, with long processions, more
wailing and fainting and hysteria. Symbolic grave goods are burned
together with lots of spirit money, in denominations of millions of
dollars (never pesos, mind you -- I imagine pesos don't have too much
value even in the next life). Paper replicas of houses, cars, furniture
and lately, electronic appliances are burned to accompany the dead and
mind you, we're talking here of mansions, BMWs and Sony appliances.
I doubt if anyone really believes the spirits need their spiritual DVD
players in the next life, but these rituals have to be performed because
they've become part of society's collective habits.
The French philosopher and sociologist, Pierre Bourdieu, uses a fancy
term, habitus, to refer to these social imperatives. Filipinos would put
it as "walang mawawala" -- you lose nothing -- by performing
the rituals, but not performing them could have consequences, sometimes
quite dire in nature. Socially, death is just so disruptive an event
that cultures end up formulating elaborate rituals, much more for the
sake of the living rather than the dead.
Chinese wakes and funerals become an occasion to assert one's status in
society -- the richer a family (or the richer one wants to look), the
more opulent the funerals. Some families will have "rewind"
burials, exhuming remains after a few years and burying the remains with
much pomp, these secondary and tertiary burials becoming occasions for
reasserting one's status in the community and bringing family members
together.
The funerals also become an occasion for statuses to be reaffirmed
within the clan, reflected in the strict rules around the funerals about
who gets to wear what mourning clothes, who gets to walk on what side of
the cortege, who first enters the cemetery. Not surprisingly, males get
to perform many of the main rituals-the eldest son, for example, is the
first to enter the cemetery, carrying a picture of his deceased parent,
a way of proclaiming he is now head of the clan.
What about the hungry ghosts? My interpretation here is that the
designation of an entire seventh lunar month to the ghosts becomes a
powerful reminder to the Chinese of the need to remember the dead. In
the name of filial piety, ties are maintained with the deceased for
several generations.
I tend to be more secular about all these matters, feeling that we can
dispense with many of the rituals and irrational fears and instead look
more deeply into the meanings of these beliefs.
My interpretation of all these death beliefs and practices is that they
are there to remind us of the need to keep ties with, and to learn, from
those who have come before us. Neglecting the past, transformed into a
metaphor of not feeding the ghosts, leaves us without our moral and
social compasses. We drift alone, in futile battles with the ghosts
within us, blind to the wisdom left behind by our ancestors. In the end,
it is arrogance -- a belief that we do not need culture and our past --
that consumes the living.
* * *
Correction on phone number for the Atang de la Rama tape: Sorry but I
didn't have my reading glasses when I was copying the phone number of
Tawid, the producers of the vintage Atang de la Rama tape. Here are two
numbers, which I hope I'm reading correctly: 4260578 and 9378296. Please
keep trying if no one answers. The Tawid people also go out lecturing
about music appreciation.
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